![]() ![]() You can read her original post here and download the Excel file template. ![]() I was trying to avoid being confrontational here by not referencing her original post and critiquing her directly, but in hindsight, that was misguided, as the chart I created is too similar to Stephanie’s. I believe it implies changes over time and a conversion from one side to the other. UPDATE: I originally wrote this post in response to a recent blog post by Stephanie Evergreen, who created what she called a “Proportion Plot.” I originally read that post as an alternative to a two-node Sankey diagram and believe-as I’ve written above-that it’s not the way I would visualize this kind of data. The author wishes to thank RJ Andrews, Alice Feng, and Cole Nussbaumer Knaflic for their comments and suggestions. None of these views are right or wrong, but they may serve different audiences differently, highlight different patterns, and answer different questions. The bars, lines, and dots are better at facilitating these comparisons without implying a transformation from one to the other. There are alternatives to the Sankey, including bar charts, parallel coordinate plots, and dot plots, all of which can also visualize these kinds of data. Even if those metrics are the same measure, say percentages, the format of the Sankey imparts a suggestion of change rather than comparison. They give a false impression when we are trying to compare two different metrics. But creators need to be careful not to plot too many series or the wrong kinds of data. They’re a useful way to show breakdowns between groups. We can do this by creating a textbox but I do this quite a lot, so a more automated mechanism would save time. one ascending and one descending, or to show an alternative. That doesn’t mean the Bloomberg graph is perfect-for example, I might add some more space between the panels and add the word “people” next to each of the labels for racial groups-but I think it’s a great example of how to use multiple parallel coordinate plots together. I frequently want to label a particular note with two fingerings, e.g. This visualization is especially great for teaching because the data are manageable (only twenty-eight data points) and there are a variety of visualization options. I call these parallel coordinate plots instead of slope charts because slope charts show changes over time. For each of seven cities, they show the racial composition of police departments relative to the populations they serve. To demonstrate, let’s look at this set of small multiple parallel coordinate plots from a 2014 Bloomberg News story. In particular, the Sankey is probably not best suited to facilitate comparisons between different metrics. You won't have to draw the strings in and you are pretty much ready to have a template to start drawing your scales, or chords in.Second, they are also not suitable for every type of comparison we would like to make. UPDATE (Append): If you have a decent digital camera, take a picture of your own fretboard, transfer to your computer and use what ever picture editor you have to crop and enhance. You can easily download these images by right clicking and select "save as". Here is an example as used with Microsoft Office Picture Manager and Paint. Then add markers for your scales or chords and save by scale name, such as E minor Pentatonic. Once there, you can copy the element several times to fill the page. Under Paint, you can pull the image in from 'paste from' and then add the strings if these are missing in the photo. Songs like End of the Line by the Traveling Wilburys or Substitute by The Who use forms like this to great and memorable effect, among many others. Download the image, then edited to tweak the brightness and contrast, crop as needed as offered under Microsoft Office Picture Manager. However, the fastest thing I found was to locate a high resolution shot of a guitar fretboard via Google images. The most relevant things are set the guitar string size to progress from large to small, left to right, put the standard fretboard makers in the right place. For other titles in the MUSIC PAPER family, visit PeleMeleWorks. There is also a 15-fret transposing version of this notebook: MUSIC PAPER NoteBook Guitar Neck Diagrams (ISBN 9781939619044). Lines are printed with finer and unobtrusive weight. I have used a number of roll your own versions to create a fretboard and then draw by hand or with other tools to make patterns for scales and arpeggios. The neck diagrams are equally suitable for left- or right-handed players (special handling for left-handed use).
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